Richard Chartier’s monochromatic aesthetic has come to define an audio culture surrounding minimalism. His craftsmanship, working predominately with sounds that exist at the edges of perception is a powerful, albeit subtle statement about notions of space and sound density.
With ‘A Field For Mixing’, Chartier brings the physicality of space directly into his compositional practise. Recording a variety of small and large spaces in countries from Australia through Japan and the USA, Chartier utilises the unique properties of these spaces to create a newly defined acoustic space – one that resonates with his characteristic treatments.
Dedicated to Steve Roden, the near 50 minute piece is an wholly engaging journey. It contracts and expands with a curious sense of depth that at times is utterly absorbing – drawing the listener deeper and deeper into the acoustic layers as one aspect is added and another withdrawn.
The second piece 'A Desk For Mixing' (dedicated to William Basinski) is equally measured. Based on his site-specific installation work “Mixing Desk’ presented at the Montalvo Art Centre in 2006, this stereo rendering expands the themes on the installation into a gentle swelling ocean of post-ambiences and high frequency statics.
supported by 7 fans who also own “A Field For Mixing”
I thought I would never love one of Yann's releases as much as I do 'Relocation.Reconstruction'. Turns out I was wrong. This four piece work is sonically incredible - deep, moody, notably musical and full of tension and beauty. The atmospheres and sound design are exemplary and allow you to drift unhindered into a sonic world that's at once welcoming and beautiful as well as sometimes dark and a little more challenging. Just superb in every way. Remote_