“I like being a step removed – from the sounds I’m producing, the forms I’m constructing. Playing very high up, into screaming wind, the sound can only dissipate and be consumed. It can feel like day-dreaming.
The assemblage of this music began on the Greek island of Syros, during a residency called Sounding Paths. It was completed within the following weeks, in Berlin and Tokyo, using field recordings, DX7, synths and guitar.
I’m focussing on re-contextualising the guitar’s material, which always feels very close and familiar. The environments are shaped by sounds from many sources.
I had Phil Houghton in mind when I was finishing this music.
6 drone tracks that make my stomach sick with dread. This is the soundtrack to the documentary that has all the answers to our suffering, just to find out the answers reveal a truth so horrifying and revolting you cannot stand to live in this world anymore from your newly found disgust for humanity. The last few minutes of We All Get It In The End is your death. UntitledKirk