"I’ve been translating the sound of video from the language of Skateboarding into the language of Music. Then I created a musical structure looping these two minutes of music, with which I composed an eleven minutes long piece. This track has a strong narrative character, it is Cinéma pour l’Oreille. It is a one long movement, composed by many skateboard tricks. The ramp had been turned into sort of a speaking totems. The sound story coming through them, talks about the soul of the sound of skateboarding. The ramp changes its meaning throught the action of cutting. The skateboarding sound changes its meaning throught the action of dubbing. This revealed the deep value of repetition within the ritual of skateboarding."