Chris Abrahams’ Memory Night is his third edition for Room40 - Play Scar and Thrown preceding this album. Widely recognised as the pianist for Australian liminal improvisation trio The Necks, Chris Abrahams’ solo work etches out an entirely different universe. It’s a place that is entirely his own, unashamedly unique and at times startling - yet always alluring.
On Memory Night, Abrahams’ expands his sonic palette, building on the uneasy frontiers of the highly regarded Play Scar. Never content to revisit past glories, Abrahams’ charts course into unfamiliar sound spaces, where electronics and instruments meet in a constant state of tension and release. Nothing is quite what it appears upon first listen and as a result Memory Night demands an attentive ear.
Recorded across 2011 and 2012, Memory Night is a haunted series of compositions that provoke and compel. Chris Abrahams has created what can only be described as a profound rendering of contemporary composition - a powerful, yet delicate evocation of sound, where instruments and electronics melt and are reformed.
released October 1, 2013
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Room40, a beacon of sound...ringing out from the deepest south. Also home to our sibling labels Someone Good and A Guide To Saints.
A highpoint in the recent Necks catalogue, I'd say, fusing the more textural approach of their later stuff with some of the groove-based energy of their earlier stuff, especially the last track "Further" which is a swaggering bluesy ramble.
Tony Buck's drumming sounds like a wilderness field recording with its layers of sounds built up into large, breathing environments.
The middle track "Lovelock" is a moody, mysterious nocturnal dreamscape. Jascha Narveson
Joined by musicians from Venezuela, London, and Paris, the bassist creates a vibrant picture of Venezuela’s musical landscape, and the people and communities that keep it alive. Bandcamp Album of the Day Oct 22, 2020