Six Pieces

by Kristof Hahn

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  • Compact Disc (CD) + Digital Album

    Matte laminate, monochrome printed sleeve, insert card

    Includes digital pre-order of Six Pieces. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    shipping out on or around November 5, 2021
    Purchasable with gift card

      $12 USD or more 

     

  • Streaming + Download

    Pre-order of Six Pieces. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases November 5, 2021

      $9 USD  or more

     

1.
Erwachen
2.
Gewimmel
3.
Vogelfluhlinie
4.
Cape Horn 06:26
5.
Schwere See
6.
My Bed is Spinning

about

From Lawrence English

In 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.

Before SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.

Six Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.

The pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we might fall back on.

Hahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.

credits

releases November 5, 2021

Kristof Hahn: lapsteel guitars, electric guitar, recording, editing, mixing
Instruments used: 10-string lap-steel, 8-string lap-steel, 7-string hybrid lap-steel, electric guitar, eBow, simple loop pedal, slightly more advanced loop pedal, delay pedal, tremolo pedal, volume pedals, guitar amplifiers

Lawrence English: Production

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Room40

Room40, a beacon of sound...ringing out from the deepest south. Also home to our sibling labels Someone Good and A Guide To Saints.

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