Transient Implosion, by Zane Trow

Transient Implosion

by Zane Trow

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1.	Andrea 02:47	buy track
2.	Bryry 03:18	buy track
3.	AM 02:24	buy track
4.	Live 05:58	buy track
5.	Initied 04:21	buy track
6.	Mosolin 03:59	buy track

about

When Zane Trow released 'For Those Who Hear Actual Voices' in 2004, Pitchfork called it 'nearly perfect ambient'. Now a decade on Zane Trow revisits his ambient masterworks and pulls a few more threads through the eye of the needle.

From Zane Trow:
These collections of sounds were recorded some years ago now, and continue an abiding interest in echoes, delays and drones; they have remained constant components for manipulation in live performances. They can be considered transition pieces; tones that emerge from fm synthesis and treatments in the digital world are nuzzled and cajoled by those from the real world. This juxtaposition continues to be a focus now, of the ongoing work.

There are also collaborations here to acknowledge and thank:

"andrea" features small handmade porcelain beads dropped onto a marble floor in Singapore, by artist Andrée Weschler during her performance art work, used with permission.

"am" and “mosoilin” feature a very old piano prepared, played and recorded in a heritage “one person school house” in Tasmania by artist Maria Fletcher, used with permission.

"live" features recordings of speeches from Herbert Marcuse (1898-1979) used with permission from his grandson Harold Marcuse.

The cover image is by Maria Fletcher.

credits

released May 5, 2014

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