I was watching The Mirror obsessively around 2013-2014. I wouldn’t go a day without watching at least a scene from the film. Something about the dreamlike flux of images made me calm, sometimes hopeful, many times just simply mesmerised.
The writings of Dostoyevsky had the same effect on me some years earlier. I lived in his books as I did in this movie.
I remember watching the scene where the mother is compared to Maria Timofeyevna, it all went around in my head like a dream; like a world of associations that surrounded my feelings. The significance of wind and trees, which are my lifelong obsessions, made this more beguiling. I chose certain characters from the film and two novels and let them play their own drama and sculpt time with sounds and images which later became some of these tracks.
supported by 19 fans who also own “What Wind Whispered To The Trees”
this album has given me one of the most impactful musical experiences I've ever had. It was driving me crazy while I was listening to it, but somehow it managed to hook me, so I couldn't help but listen to it again and again and again. If it isn't art in its true form, then I don't know how to call it. Ivan Seal and The Caretaker, thank you for releasing this masterpiece. deebrok
supported by 16 fans who also own “What Wind Whispered To The Trees”
Equivalents - A series of photographs of clouds by the photographer Alfred Steiglitz beginning in 1925 Who's intent was meant to detach the actual image from the subject. In this case the subject was something other than the clouds.
In music all are equivalents as music is truly abstract by its very nature, so what you conger up is yours and yours only. Brian Bourassa