yann's approach to stasis and dynamic restraint have been referential points for me in my own artistic path - this release is no exception - and yet it feels a bit more open, wider, somehow carries a little more release and anguish - just superb. wndfrm_listens
I have loved Siavish Amini for a few years now and this album takes his art into utterly unpredictable and beautiful directions. Also if Rutger Zuydervelt (Machinefabriek) likes it then that's the only stamp of approval necessary. I have a sincere question for Mr Amini which is not intended to insult anyone's faith or deepen our stupid-enough divisions but if I were to ask an Iranian mullah "How can instrumental music possibly be an affront to Allah ?" how would he reply ? unruh2525