In Melbourne, the city in which I live with my family, we faced an extended period of lockdown in 2020.
During these long winter months, I recorded a lot of samples of my iso life from morning to night. As the process wore on I became quite fascinated with these sounds, some of them so familiar and domestic that I decided to turn them into music.
All the sounds of this album are made strictly from materials coming from these domestic field recordings. Even though parts are quite melodic and tonal, no instruments were used at all. It is a sound diary and one whose sounds would be familiar for many people living in Melbourne. The sounds of morning, the chatter of remote learning, the ceaseless flow of house chores, physical activity in our brief moments outside and evenings where we all just try to wind down.
Those days were all about routine, and the mundane qualities of life became a kind of daily ritual that was full of repetition and loops. These are the spark for this album and it becomes a document of this curious moment in time that will linger with us all going forward.
released January 29, 2021
Thanks to Australia Darebin council and my families in Japan and Australia, and friends from all over the world. Also special thanks to Isolde Warwin
Cover art by Yoshiyuki Kakedo (Mandala)
Mastered by Lawrence English
supported by 17 fans who also own “Pan De Sonic - Iso”
With the entanglement and interaction of noise and musical tone, we seem to have traveled through the jungle infested by ghosts, and witnessed a new universe being reborn in this strange chaos and harmony. Through this recording, Jim O’Rourke reconstructed the order of sound in a sense. alain.proust