Monochrome printed and laminated sleeve, printed black inner sleeve, shrinkwarpped, special coloured LP.
Includes digital pre-order of The Shell That Speaks The Sea.
You get 1 track now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
shipping out on or around June 2, 2023
Purchasable with gift card
$21USDor more
Record/Vinyl + Digital Album
Monochrome printed and laminated sleeve, printed black inner sleeve, shrinkwarpped, standard vinyl LP.
Includes digital pre-order of The Shell That Speaks The Sea.
You get 1 track now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
shipping out on or around June 2, 2023
Purchasable with gift card
$20USDor more
Streaming + Download
Pre-order of The Shell That Speaks The Sea. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
I first met David Toop some 20 years ago. I think we were in touch shortly before that, but our first meeting took place when I invited him to Australia to perform and to speak as part of REV, a festival held at Brisbane Powerhouse. It was a memorable meeting, I vividly remember his solo performance and the edition A Picturesque View, Ignored, documents an improvised meeting during that time.
Over the years, David and I have shared an interest in both the material and immaterial implications of sound (amongst other things). Moreover we’ve connected many times on matters which lies at the fringes of how we might choose to think about audition, our interests seeking in the affective realm that haunts, rather than describes, experience. The Shell That Speaks The Sea very much resonates from this shared fascination.
I’m not exactly sure when we first mooted this duet, but I sense its initial trace is now more than a decade ago. I tend to live by the motto of ‘right place, right time’ and I believe David likely also subscribes to this methodology. A couple of years ago, David and I reignited the duet conversation and began exchanging materials. As a jumping off point, I explored a series of field recordings that, for me at least, captured something of this affective haunting that I mentioned previously.
One such recording was of a Tawny Frogmouth at Nugum (White Rock) on the lands of the Yugarabul people. The frogmouth is an utterly elusive creature whose voice is like a modulating low frequency oscillator. They are a magical bird, and like the Potoo, have captivated David and I at various points if our lives. The recording seemed to suggest a whole way of approaching sound and, for me at least, it opened an entirely new range of sound worlds which are present in the final version of this recording.
This edition is the product of spontaneous burst of exchanges, buffered by periods of tempered silence. A patient work, charged with unexpected dynamics.
It’s with great pleasure we share this recording with you.
credits
releases June 2, 2023
David Toop - Voice, digital electronics, Spanish, electric and lapsteel guitars, bowing, whistling, percussion, flutes.
Lawrence English - Electronics, field recordings, shortwave radio, bass drum, ghost flute, bamboo, stones.
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supported by 15 fans who also own “The Shell That Speaks The Sea”
Do you yearn - as I do - for deep-earth seismic rumbles, rough-hewn howling echoes, and densely packed scraping slabs of darker-than-vantablack drone ambient? If so, Material Interstices is pure bliss. Uneasy listening writ large! Prepare for a harrowing slow-mo odyssey unearthing ever-deeper layers of the shadow self. Each track blends seamlessly into the next. Calibrate your subwoofer properly, kill the lights, and let this delicious release sink into your bone marrow. Danica Swanson